Figs with Cobalt
when I was allowed to go with the cart
A new collection of still life paintings inspired by my recurring memories of Barbados.
This piece measures 48x38cm
Acrylic and oil on Birch Plywwod
Framed in A White Box Frame
The philosophy underlying Dawn’s body of work is to celebrate the intimate relationship between an item and its owner by illuminating the context in which it is presented. Her process, whether constructing an elaborately furnished roomscape or the study of an austere clay pot draped with crocosmia. In her painting she invites you to learn more about the homeowner as she gets to know them.
when I was allowed to go with the cart
A new collection of still life paintings inspired by my recurring memories of Barbados.
This piece measures 48x38cm
Acrylic and oil on Birch Plywwod
Framed in A White Box Frame
The philosophy underlying Dawn’s body of work is to celebrate the intimate relationship between an item and its owner by illuminating the context in which it is presented. Her process, whether constructing an elaborately furnished roomscape or the study of an austere clay pot draped with crocosmia. In her painting she invites you to learn more about the homeowner as she gets to know them.
when I was allowed to go with the cart
A new collection of still life paintings inspired by my recurring memories of Barbados.
This piece measures 48x38cm
Acrylic and oil on Birch Plywwod
Framed in A White Box Frame
The philosophy underlying Dawn’s body of work is to celebrate the intimate relationship between an item and its owner by illuminating the context in which it is presented. Her process, whether constructing an elaborately furnished roomscape or the study of an austere clay pot draped with crocosmia. In her painting she invites you to learn more about the homeowner as she gets to know them.
